To contact us Click
HERE
Okay, let's talk about magic of the play.
At one time or another every Wizard or magician aspiring experimented with making the magic tricks involving coins and notes as accessories. For some it glue - they find fascinating and stimulating and they become manipulative currency of "" specialized in the techniques and routines associated with the magic of the play.
For others, it seems to have a limited recourse and they move to other forms of magic.
Otherwise it will interpreter you as, magic with money is always popular with the public. For this reason alone, even if you specialize, you should definitely add some piece of your directory routines.
Personally, I'm magicians who are experimenting with parts, the first category mentioned above: I love the magic of the play; I am totally hooked. I do not understand the guys who think that this is boring or at best, too limited. I assume that they have seen poor performance - but you can find poor performances of card magic and magic of the stage and any other type of magic, also. Perhaps they quit - it is true that there is not really "self-working" tricks with coins (apart from some well-known gadgets), and it requires a lot of practice to build a routine.
That said, when I come to think of it, there are actually many simple disappears and productions (the basis of much magical exhibit) which can be acquired by almost everyone on the same day as the tutorial (Symphony, for example, or the quarter Trick) is great, if you do want to learn something cool room or two - and for the uninitiatedThese two towers are breathtaking. If you want to impress girls at parties, then that should see you right!
But if you are more serious about your magic, why must you persevere with parts?
OK, I stated my case, point by point:
1. People have a strong psycho-emotional investment in the image of coins - in themselves, they have a "magical" symbolic power
2 Money Vanishing of a person creates anxiety - showing creates relief and happiness the most money. In other words, it is great to engage the emotions of the audience. Tear and restore a map, for example and the will of the people as the trick. Tear and the restoration of hard-won of the spectator tickets, your raise the stakes considerably!
3. Most of us who work magic for what whatsoever about a life will never feel the support of a Las Vegas stage under our shoe leather: the parts are easy and portable accessories for work tables or the corners of the streets.
4 Everyone knows that accessories of the audience of loan guarantee attention; If it's their money, much more. I cannot see any of the situations in which it would be possible to borrow a quarter.
5. It is impossible to do a card trick "impromptu" appear while the parts are the perfect magical "impromptu" objects.
6. If you know a few coins routines, so you can do your magic anywhere, any time someone asks you without having to remember something about you carry all the time.
7 Skills for learning with parts you will inevitably lead to a discipline in your magic and a mastery of the fundamental principles of legerdemain, powerful concentration, relaxation, the fluidity of traffic and the sharpness of your sense of synchronization in a way, that I do not think any other type of magic can.
8 Tips for the play mechanics is therefore essentially simple, you initially understand the importance of your skills of diversion to a very fine degree.
9. The simplicity of the magic of the coin means that you can perform the same tricks and routines for adults, children or other magicians just redirecting your presentation and patter to the audience.
10 Look at some of the greatest masters of the magic of the coin to work, and you'll soon see that you have the ability to run without doubt the most stylish and "Ballerinas" form of close up magic there.
If there you have it. Ten pretty cool reasons to give more time and attention to the magic of your exhibit. I don't know yet, there are those who get it and those who do. We are all different and I celebrate our diversity. I have chosen to specialize (my small directory of the card tricks would cause nothing fun to a magic convention - believe me I know!) but just to finish, I think there is a wonderful advantage in specialty, and it is this:
You can still enjoy the sense of wonder and admiration for the work of the magician another, who has mastered a domain whose mysteries are beyond your reach.
And keep the sense of wonder is a gift for a magician, as it is so often lost in knowing how it's done.
If you want to learn the magic of the play, I have two recommendations, that I would like to personally so that you can, depending on the style and level you want to address:
If you want to learn how to make a simple 'trick' (you can make free stuff it, you've probably been located around the House) which will allow some remarkable productions, disappears and changes with very little practice indeed, with explanations of 20 tips that you can learn to do with it, visit The Magic Tricks Homepage, click on video tutorials and go to the real money master.
If you want to take your room magic seriously - and you enjoy a realistic challenge - I cannot recommend too highly the box DVD 4 of the famous Magic modern piece by "bobo". I am a little long in the tooth now and when I learned this tip that I had painstakingly to decrypt the text sometimes difficult. I died three times in the DVD! They demonstrate expertly and then give full detailed for almost all sleights, tricks and routines tutorials for some of the most beautiful there is magic of parts. You can lose a lot of money to profile magic products these days and I hate that. But if you are seriously in your magic exhibit, or think that you may be, this little fact to know (I guess that it was produced just for the wizards really) is worth every cent of its bargain price. Anyway, I think that you have the message now - it will allow you to start along the road to knock control. You can get the DVD (with free Visual guides to basic techniques and tips for free exhibit 25) of The Magic Tricks Homepage.
View the original article here
The Smith Center
